Fairytale adaptations
are, it seems, like buses. You wait for an age for one and then two
come along at once. At the start of April, a comedic take on the
story of Snow White hit screens with Mirror Mirror,
starring Julia Roberts and Lily Collins and now an altogether darker
version has been released in the form of Snow White and the
Huntsman. Kristen Stewart takes
on the role as Snow White and Twihards (as the fans of Twilight
are known) will no doubt flock to see the film. But the question is
this: should anyone else bother?
Snow White and the
Huntsman follows the well-known
Grimm tale of the beautiful girl who must fight against the evil
Queen who wishes her dead so she may instead be proclaimed the
fairest of them all. In a twist to the fairytale, the Queen sends the
Huntsman (Chris Hemsworth) in search of the girl but he soon becomes
her protector and friend in the fight against evil. Visually, the
film is rather stunning and has a distinctively-rich production
design. Marketed as a young adult adventure (with a 12A certificate),
the film is quite dark and rather solemn and, in my view, all the
better for it. The aesthetic depth was crafted at just the right
level and some impressive effects helped to create a magical and
gritty medieval world. The battle sequences were well-constructed and
were engaging and exciting in equal measure and complemented the
overall tone of the film.
Charlize
Theron's performance as the evil Queen Ravenna is very assured and
highly convincing as she paces up and down, shouting at everyone in
the manner of a deranged supply teacher (although ten times as
scary). I was rather surprised at just how far the horror elements in
the film went (given its certificate) and Ravenna's transformation
from beautiful Queen to old woman and back again was quite startling.
With about as many facial expressions as a murder victim with an
extreme case of rigor mortis, Kristen Stewart may seem an odd choice
to play Snow White but actually, she does so rather well. Once I got
over her accent which seemed to have been learnt from the Keira
Knightley School of Vocal Coaching, she became quite likeable as the
defeater of evil and even slipped into a Joan of Arc role at the end
of the film, storming a castle to defeat Ravenna. Her chemistry with
Hemsworth wouldn't have passed a GCSE science exam but little did
that matter; the film is a fairytale with an edge, and is not meant
to be a hugely-believable story of love and friendship.
What
prevented this film, however, from being a really exciting
re-invention of the Snow White story is the script. The dialogue felt
rather stilted and flat and I couldn't help but sit there and see it
as a missed opportunity. Played by some acting giants (excuse the
pun) such as Bob Hoskins, Toby Jones, Eddie Marsan, Ray Winston and
Nick Frost, the potential for humour with the seven dwarves was huge
but was disappointingly missed. The result was a script which took
away from the visual spectacle and left me with the feeling that the
film had somewhat missed the target. It's a shame because most of the
other elements were done well.
Aside
from these script issues, the balance between action and exposition
was competently struck by director Rupert Sanders and, if a bit too
long at 127 minutes, the film maintained a momentum throughout. Snow
White and the Huntsman is
perfectly fine for what it is: a visually-commanding and interesting
take on a fairytale. It's not fantastic by any stretch of the
imagination and it is held back by a weak screenplay. It still
manages, however, to remain perfectly agreeable popcorn
entertainment. And remember kids, don't eat that apple...
Clapperboard Rating: * * *
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