Unlike previous years,
I'm afraid (or should that be glad) that there won't be a “Worst
Five” films of 2013, simply because, I haven't seen that many bad
ones! This is partly due to my absence over the summer when I was
gallivanting around the world and partly due to the fact that 2013
has been a stunning year for cinema. Testament to this are the films
which didn't make it into my list: Les Misérables,
Star Trek: Into Darkness,
Saving Mr Banks and
The Hunger Games: Catching Fire.
It has been difficult to pick my Top Five but I have done it.
Disagreements on the back of a postcard please...
5) Philomena
“Fantastic”, “affecting”, “poignant” and “potent”
were some of the words I used to describe Philomena, the true
story of Irish seventy-something Philomena Lee (Judi Dench) who, with
the help of journalist Martin Sixsmith (Coogan), sets out to find her
child who was put up for adoption by Catholic nuns in 1950's Ireland.
The film balances wit with emotion and has two superb performances
from Dench and Coogan (who is at his very best in this film). Some
suggested that the film was an attack on the Catholic church:
something which is patently untrue. But Philomena wasn't
reluctant to address hard-hitting issues. A gem of a film which will
pull at the heart strings.
If a film can be judged on levels of tension, then Prisoners is
a sure-fire hit. Starring Jake Gyllenhaal and Hugh Jackman, Prisoners
starts out with a fairly standard kidnap narrative but soon
becomes dark, suffocating and very, very intense. Despite its 153
minute running time, the level of tension is sustained throughout and
Gyllenhaal and Jackman give very assured performances. A word of
warning though: you might just need to watch something with fluffy
bunnies in it after seeing Prisoners.
In many ways, this film would make an interesting double-bill with
Prisoners. Hollywood heartthrob Ryan Gosling plays a bike
stunt rider who is constantly moving from one town to the next. He
discovers he is father to a son and is determined to provide for both
the child and its mother, Romina (Eva Mendes). The way in which he
does this has fateful and far-reaching consequences for both him, his
son and for Avery, an ambitious cop played by Bradley Cooper.
Directed by Derek Cianfrance, The Place Beyond the Pines is
epic, in all meanings of the word. Its frenetic changes in tone may
jar with some viewers and its ending is a little too neat, but it is
a film which speaks with dramatic lyricism and uninhibited ambition.
It is unnerving, emotive and reassuringly human: all things which you
want from a trip to the cinema.
Creating more controversy than Miley Cyrus popping down to the local
supermarket, Zero Dark Thirty surprised many in taking subject
matter which we all thought we knew (the killing of Osama Bin Laden)
and making it exciting and unsettling in equal measure. Jessica
Chastain, as a CIA operative determined to track down Bin Laden, is
fantastic and Katherine Bigelow's direction mixes espionage, action
and drama together to create an intelligent film about intelligence
gathering. Fantastic.
And here it is: the Number One film of the year is Gravity –
the only film that I think has to be seen in 3D. Its B-movie
feel, short running time and immersive visual effects create a film
which will have you gripping the edge of the seat from the very
beginning. Sandra Bullock is at the top of her game and, despite the
high-tech, wondrous special effects (which are ground-breaking),
Gravity feels like a very personal, intimate film which will
mean different things to each individual. It will make you fall in
love with cinema all over again.
Happy New Year from
Clapperboard Film Reviews!
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